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Results Rule! $6.98 Praise for RESULTS RULE! "What on earth could pre-thawed turkeys, Eva the dolphin, and toothpaste tubes squeezed from the middle have to do with the success of your business? Everything. Results Rule! is that rare business book that you can't put down, and you shouldn't, because the lessons within aren't just helpful, they're vitally important. Don't put Results Rule! on the stack of books you mean to read soon. Buy it, take it home, and read every word before your competitor does." --Joe Calloway, author of Indispensable: How to Become the Company That Your Customers Can't Live Without "Most business books give you everything you need and want to do, except the only thing that matters--getting results. This book is well written, with great examples, stories, and real advice that will actually show you how to improve your results. Buy it--read it--heed it--and watch your results improve." --Larry Winget, author of Shut Up, Stop Whining & Get a Life "Results Rule! delivers practical ideas that will keep your organization on course for success in a competitive marketplace. Randy Pennington offers ideas that work if you are on the frontline or in the executive suite. He has nailed the essence and importance of culture." --Howard Putnam, former CEO, Southwest Airlines author of The Winds of Turbulence "If you hate your competition, it's because they're beating you. If you want your competition to hate YOU--read Randy Pennington's book, and give it to all your people." --Jeffrey Gitomer, author of The Little Red Book of Selling "Six rock solid concepts plus real examples in a quick and easy read equal real results. A guide to differentiating your organization in the marketplace." --M. Cass Wheeler, CEO, American Heart Association "Randy's business savvy and expertise are evident throughout this book. His thoughtful analyses produce vital points for any business that wants to grow and thrive in the twenty-first century." --Nido Qubein, President, High Point University Chairman, Great Harvest Bread Company "In a very engaging, quick read, Randy Pennington cuts through the hype of most management bestsellers to propose a deceptively simple premise--a culture that never loses focus on the desired result and always wins. Pennington takes you by the hand and shows you how to take an honest look at your own organization, then act immediately to create and nurture a culture that achieves results day in and day out. Results Rule! is one of those rare books you'll keep close at hand for years to come." --Marci Armstrong, PhD, Associate Dean, Masters Programs Cox School of Business, Southern Methodist University

From Passion to Results $29.48 ?What lies behind us and what lies ahead of us are tiny matters compared to what lives within us.? ?Oliver Wendell Holmes Is your passion taking you places? From Passion to Results will show you how to live the extraordinary life you desire by harnessing the power of your personal passion. You will discover how to: Ignite your personal passion and purpose Do what you love and love the results Become an indispensable employee Build your confidence Feel good about yourself Set your mind on success And more? With this easy-to-use action guide, you?ll not only live with passion, you?ll be on the fast track to getting the results you want.

The Amazing Results of Positive Thinking $12.48 "This is a result book....It is the story of the thrilling things that happened to people when they applied the principles of dynamic change to their lives." -- Norman Vincent PealeThis accessible, all-encompassing guide will help you to achieve success and confidence, a sense of well-being, and an inner strength that you never dreamed possible. How? Through positive thinking -- a form of thought that involves looking for the best results from the worst conditions. Dr. Peale's time-honored methods include:• step-by-step advice for developing personal strength• confidence-building words to live by• sound, sensible ways to overcome self-doubt • effective strategies for achieving good health• a program to release the vast energies within you• accepting ourselves and our individual needs• embracing the spiritual forces that surround you

Positive Words, Powerful Results $3.48 Although we live in an ocean of words, we rarely acknowledge their power to uplift or put down, to inspire or discourage, to help or hurt. But in this jewel of a book, Hal Urban -- parent, award-winning teacher, and author of the classic Life's Greatest Lessons -- shows us simple and immediate ways that we can use language to change lives -- both our own and those around us.

Results $3.98 Success starts deep within you. It begins with the thought that you can accept a challenge and become an agent of change. Results Coach Dale Berry applies his 20 years of personal experience of working with people to overcome the challenges of amputation to create this innovative strategy to achieve success. Regardless of the challenge, whether it is personal, professional, financial or physical, with this winning formula, RESULTS can be achieved.

Results Results Results $5.48 Leaders do nothing more important than get results. If leaders can't get results, they won't be leaders for long. The question, "How do leaders go about getting results?", goes right to the heart of one's job performance and ultimately career achievement. Too many leaders answer the question in an unsatisfactory, ad hoc way. Instead, now one can read this book and continually apply the eight-step Results Process that is described in its pages. This book is not simply about getting results but about getting more results -- more results, faster results on a continual basis. Whether you are a first-line supervisor, middle manager or upper level leader, the book provides systematic methodology that will elevate your leadership effectiveness throughout your whole career.

Live in Chicago $18.98 Two albums in is a little bit quick for a live album from Panic at the Disco, but in a strange way ...Live in Chicago comes at a good time for the quartet, as its 2008 album was such a studio-created salute to the Beatles that it raised the question as to whether the band could pull it off on-stage. Turns out, this live set -- available as almost any live album is in a CD/DVD package featuring the full set as a CD and a DVD for a home theater -- proves that they can, albeit not quite as beguilingly as they do in the confines of the studio. The absurd grandeur of Pretty. Odd is replaced with a nervy but clean energy more reminiscent of their debut, A Fever You Can't Sweat Out, with those songs given more of a professional punch than they had on record. So, the young band is still feeling its way, but the surprising thing about ...Live in Chicago is that Panic at the Disco sound tight, melodic, and big, capable of filling a large stage. They still could rock just a bit harder, but Pretty. Odd suggests that they're becoming that rare thing in 2008: a pop-oriented rock band. They might not be doing this knowingly, but the results are entertaining all the same, even on this for-the-fans live set. ~ Stephen Thomas Erlewine, All Music Guide

The Live Ones! $8.98 All six of the songs on this 10" vinyl release were recorded live at Michigan State University in 1966, and were previously unissued. On the rare occasions when live recordings of bands such as the Standells are dredged up, the results are usually disappointing, both soundwise and performance-wise. Happily, this proves a remarkable exception to that norm. The fidelity is quite good -- indeed better than many official live recordings of the time -- and the Standells play well, reproducing the arrangements of their records pretty closely, though with some satisfying loose live energy. If just six songs from a 1966 Standells gig are available, this selection is about as good as you could wish for, with five of their best (or at least better) tunes: "Dirty Water," "Sometimes Good Guys Don't Wear White," "Why Did You Hurt Me," "Why Pick on Me," and "Mr. Nobody." There's also a cover of "Gloria," during whose middle spoken section the audience breaks out, for some probably always-to-be-unknown reason, into spontaneous applause. This is a very good collector-targeted release, and not one that you have to be an insane completist to enjoy. ~ Richie Unterberger, All Music Guide

Fit to Live $18.48 Dr. Pamela Peekes newest audiobook shines light on the heavy weight of the twenty-first century lifestyle, with its fake food, desk jobs, clutter, and endless stress, and asks readers, If your life depended on it, could you run up four flights of stairs right now? Are you Fit to Live, not only to survive, but to enjoy life? For most people, the answer is no and they dont know it. Fit to Live offers readers an active health/lifestyle assessment: How many pushups can they do in two minutes? How many servings of processed foods did they eat today? Peeke translates those results into research-based predictions of readers long-term prognoses and helps readers gauge just how much fatmental, nutritional, physical, financial, environmentalto cut from their toxic lifestyles.

Live Bootleg $8.98 Since Aerosmith had become one of America's premier rock & roll concert attractions by 1978, it was only natural that an in-concert collection was issued that year, the double album, Live Bootleg. Unlike other live albums at the time, it's obvious that not a lot of overdubbing was involved to fix up the tracks, which results in a refreshingly authentic representation of Aerosmith at the group's most drugged-out and rocking. All of the performances were taken from Tyler and company's 1977-1978 U.S. tour (with the exception of a couple from 1973), while the album's packaging and title were a joke on all the poor-sounding, unauthorized live recordings that were in circulation at the time. Just about every classic is included -- "Back in the Saddle," "Sweet Emotion," "Walk This Way," "Come Together," "Last Child," "Mama Kin," "Train Kept A'Rollin," etc. -- as well as key album tracks ("Sick as a Dog," "S.O.S.," etc.). But the album's high point has to be the aforementioned pair of long-lost tracks from 1973 -- loose and groovy covers of the Yardbirds' "I Ain't Got You" and James Brown's "Mother Popcorn." Although the performances may lack the fire of the shorter Classics Live II set from 1988, Live Bootleg is an excellent representation of one of rock & roll's elite live acts. Note: to tie in with the careless bootleg theme of the album, the track "Draw the Line" is unlisted. ~ Greg Prato, All Music GuidePerformers: Tom Hamilton - Bass, Guitar; Joey Kramer - Drums, Vocals; Joe Perry - Bass, Guitar, Percussion, Vocals; Mark Radice - Keyboards, Vocals (Background); Steven Tyler - Bass, Harmonica, Keyboards, Percussion; Brad Whitford - Guitar; David Woodford - Saxophone

Positive Words, Powerful Results: Simple Ways to Honor, Affirm, and Celebrate Life $8.23 Although we live in an ocean of words, we rarely acknowledge their power to uplift or put down, to inspire or discourage, to help or hurt....

Live at the Fillmore $13.98 While Los Lobos have made a handful of great albums during the course of their career, you have to see them live to fully appreciate their status as one of America's best rock bands. Their material is smart and wildly eclectic, they're superb musicians whose interplay has been honed to a fine edge by years of road work, and they know that great chops will never be as important as a strong dose of sweaty enthusiasm if you want to get over with an audience; put it all together and you get a group that never disappoints a crowd. It's a bit surprising that, after more than thirty years together, no one ever thought to record a Los Lobos live album, but in the summer of 2004, as the band was celebrating their official 30th Anniversary, they brought in a camera crew and a mobile recording truck to document a two-night stand at San Francisco's Fillmore Auditorium; the results were released as a DVD in late 2004, and now an audio-only version of Live at the Fillmore has come out on CD. Given how impressive a backlog of material this band has, it's almost inevitable that Live at the Fillmore would be a bit of a disappointment, given that there's only so many of los Lobos' many great songs can appear on a single disc, especially since the band puts the strongest focus on their most recent material in this set. But with an eye towards history, they do offer a taste from most of their albums in these 14 songs (going all the way back to 1984's And a Time to Dance), and the recording gear caught the band on a good night -- Los Lobos are clearly having a good time on these tunes, and playing with confidence, style and soul, running the gamut from the flat-out rock of "Good Morning Aztlan" and "Viking" to the soulful Latin groove of "Cumbia Raza," finally closing with an impassioned cover of Marvin Gaye's "What's Goin' On." Los Lobos are a band who would do well to consider a series of live albums that could capture the full breadth of their capabilities in concert, in the manner of Pearl Jam and the Grateful Dead, but Live at the Fillmore captures a taste of the band's on-stage magic with accuracy and finesse, and both fans and newcomers will find it tasty stuff indeed. The initial pressing also includes a bonus CD including three acoustic tracks. ~ Mark Deming, All Music GuidePerformers: David Hidalgo - Accordion, Guitar, Percussion, Violin, Vocals; Steve Berlin - Keyboards, Saxophone; Victor Bisetti - Drums, Percussion; Cougar Estrada - Drums, Percussion;

Live a Little $14.99 Joe Pernice and his compatriots have taken one step forward and one step back on the fifth studio album from the Pernice Brothers, Live a Little, and both moves have served them well. Live a Little finds the band teaming up again with Michael Deming, the producer who worked with Joe Pernice during the latter days of the Scud Mountain Boys and was behind the board for Overcome by Happiness, the Pernice Brothers' debut. Live a Little lacks the gloss of Discover a Lovelier You or the harder surfaces of Yours, Mine & Ours (both of which were produced by Thom Monahan), but it also feels considerably fuller and more mature than the quiet, tentative texture of the debut. Live a Little sounds more open and roomy than the past few Pernice Brothers efforts, while at the same time reflecting the lusher pop sound the band has embraced since 1998; a bit of the gingerbread has been stripped away, but the sound is still classic-style pop at its most delicious, buoyed by Deming's subtle string charts. And while there's a bit less of the "sunshine pop for a cloudy day" mood of their previous albums on Live a Little, Joe Pernice remains one of the finest songwriters at work today, and these 11 new songs (plus a remake of "Grudge F***" from the final Scud Mountain Boys album) find him in superb form -- the melodies are intelligent but hooky, with the touches of tart sophistication never getting in the way of their sweetness, and his lyrics walk a glorious tightrope between the classic adolescent obsessions of rock (i.e., girls) and the more troubling concerns of adulthood (i.e., women). And as usual, Joe's collaborators deliver the goods, especially Peyton Pinkerton on guitar and James Wallborne on keyboards, playing these songs with the passion and skill they richly deserve. No one in indie pop has consistently delivered such impressive results in the new millennium as Joe Pernice, and Live a Little makes it clear he isn't done making superb music anytime soon. ~ Mark Deming, All Music GuidePerformers: Mike Deming - Analogue Synthesizer, Finger Snapping, Finger Snaps, Handclapping, Organ, Percussion, Vocals (Background); Patrick Berkery - Bongos, Drums, Percussion; Kara Pernice Coyne - Vocals (Background); Michael Deming - Handclapping, Organ, Percussion, Synthesizer, Vocals (Background); Dan Innaimo - Trombone (Bass); Arthur

Live Stock $9.95 By the time this long-player hit the street, Roy Buchanan (guitar/vocals) had already departed from his oft-acrimonious relationship with Polydor Records. To their credit, the label issued Live Stock (1975), which captured the artist in performance at Town Hall in New York City on November 27, 1974. This disc features the recently corralled combo of Bill Price (vocals), John Harrison (bass), Malcolm Lukens (keyboards), and Byrd Foster (drums/vocals). Interestingly, the instrumentalists would reconvene behind Buchanan for his next two studio albums, A Street Called Straight (1976) and Loading Zone (1977), as well as the thoroughly superior, import-only Live in Japan (2003). With the exception of the seminal Snakestretchers, this aggregate would stay with the guitarist for longer than any of his numerous other support bands. Practically by default, having returned Buchanan to the stage, the music instantly becomes more conducive to inspiration. The set list highlights both a sampling from earlier efforts, as well as a few covers that are personalized by Buchanan's inimitable stringed artistry. Whether by design or serendipity, each track focuses on his animated solos. Ranging from the driving boogie of Roy Milton's "Reelin' and Rockin" [note: not to be confused with Chuck Berry's rock & roll anthem of virtually the same name] to the stinging fretwork that commences the Memphis soul of Al Green's slithery "I'm a Ram," Buchanan is undeniably at the peak of his abilities. The spirited reading of "Further on up the Road" is particularly worthwhile, as his leads alternately from a rapid-fire slide action to emphatic wails that punctuate the melody with equal measures of deadly accuracy and limber precision. Live Stock is a primary recommendation for all dimensions of blues guitar lovers and those interested in experiencing the craftsmanship of the man once hailed as "The Greatest Unknown Guitarist In The World." Hardcore collectors and the like should also be aware of the essential nine-plus minute rendering of Neil Young's "Down by the River," which was recorded at this show, yet remained unissued until its inclusion on Sweet Dreams: The Anthology (1992) double-disc set. Equally as impressive, and as highly recommended, is the posthumously released archival American Axe: Live in 1974 (2003), as well as the previously mentioned Live in Japan (2003) -- both of which have the same musicians and similarly exceptional results. ~ Lindsay Planer, All Music GuidePerformers: Roy Buchanan - Guitar, Vocals; Byrd Foster - Drums; John Harrison - Bass, Vocals;

Live at Newport $14.98 Live at Newport was the first live recording McCoy Tyner led, and it happened to be among his most memorable dates for Impulse, but like many memorable sessions, it was the end result of equal parts planning, spontaneity, and talent. According to Willis Conover's original liner notes, Tyner was worn out from playing Montreal the night before, and he was paired with three musicians he'd never played with before (trumpeter Clark Terry, alto saxophonist Charlie Mariano, and bassist Bob Cranshaw), two of who were using borrowed instruments. Given such chaotic circumstances, it's not surprising that the quintet (also featuring drummer Mickey Roker, a former colleague of Tyner's) chose to play two standards, plus Tyner's "Monk's Blues," Dizzy Gillespie's "Woody 'n' You," and the improvised opening jam, "Newport Romp." What is a surprise is that not only does the group hold together, but they excel. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. The results are thoroughly compelling and unpredictable, even when it's just a Tyner showcase, like "Monk's Blues." Essentially a solo showcase with support from Cranshaw and Roker, Tyner really pushes on this number, beginning it as a Monk homage and pushing it to continually inventive territory. It's the riskiest playing on the record from Tyner, but just because Live at Newport isn't as risky as his work with Coltrane during the early '60s doesn't mean it's limp or complacent. It's straight-ahead hard bop in the best possible sense -- accessible but stimulating, engaging and vibrant from beginning to end. ~ Stephen Thomas Erlewine, All Music GuidePerformers: Bob Cranshaw - Bass; Charlie Mariano - Sax (Alto); Mickey Roker - Drums; Clark Terry - Trumpet; McCoy Tyner - Piano

Food to Live By $25.48 Organic food is the best food possible. It’s synonymous with premium quality, delicious flavor, conscientious farming, and optimum health. It’s what we need to feed our kids, it’s what we deserve to feed ourselves. And thanks in part to Myra Goodman, co-owner and cofounder of Earthbound Farm with her husband, Drew, organic food is now available just about anywhere fresh food is sold, becoming more mainstream every day. Not only has Myra been growing organic food for over twenty years, she has been cooking with it, too. In Food to Live By she combines her twin food passions, serving up hundreds of recipes, ideas, shopping and cooking tips, health notes, and more. Illustrating the book are full-color photographs throughout that bring readers right into the breathtaking California sunshine. This is perfect cooking for friends and family, packed with irresistible dishes for weeknight dinners and casual entertaining, festive breakfasts and fall picnics. Recipes are all about the ingredients and their intrinsic qualities, not fancy techniques or time-consuming steps. Marry chicken with three simple accompaniments— rosemary, lemons, and garlic—and it’s transformed. Heighten the flavor of a springtime fava bean and orzo salad with an unexpected fava bean “pesto.” Combine Meyer lemon juice and soy sauce to create a marinade, tenderizer, and sauce that results in a perfect grilled flank steak. Food to Live By also includes a wealth of information about organic farming and how to make the wisest food choices; there are full-color Field Guides—to gourmet greens, apples, heirloom tomatoes, winter squash—and Farm Fresh ingredient guides to sorrel, corn, melons, avocados, organic poultry, asparagus, artichokes, ginger, and more, featuring what to look for plus care and handling. The book is a boon to food lovers.

Simply Live It Up $4.48 SIMPLY LIVE IT UP offers 40 brief solutions to integrate spirit and humanity and meet life's challenges at the turn of a new millennium. Among the solutions are the Results of Well-Being Games, the Guidelines for Winning, and the PhotoReading Whole Mind System. For self-helpers, consultants, managers, career counselors, trainers, therapists, and personal and professional coaches.

Live in Tasmania $9.98 John Fahey was well known as a perfectionist who played concerts for over two decades without releasing a live album. It was therefore something of a surprise when he not only recorded a full album in front of an audience, but did so at a concert booked on four days notice, at a hall he had never seen much less checked for acoustics, and with almost all material written on the spur of the moment. Fahey hadn't even planned on visiting Tasmania, but during an Australian concert tour he got drunk on an airplane flight and decided on the spur of the moment that he wanted to record an album there. A hall was booked, an audience rounded up, and the resulting show was recorded. The results were fantastic. The notoriously unpredictable Fahey was in a cheerful mood, playing an outstanding set and genially favoring the audience with a rambling monologue about the strangeness of finding Tasmania less wild and esoteric than he expected. A thoughtful version of "Waltzing Matilda" was a predictable crowd-pleaser, but so were more, er, esoteric pieces like "The Approaching of the Disco Void." The transcendent moment of this album, and one of the finest pieces of Fahey's career, is "Indian-Pacific R.R. Blues," a complex work that has elements of ragtime, blues, and Americana strung together into a magical whole. It was a marvelous gift to an audience that had probably never heard of him five days before, and it is fortunate indeed that this concert was not merely recorded, but captured brilliantly so that not a note was lost. ~ Richard Foss, All Music GuidePerformers: John Fahey - Guitar

Live in Midgard $16.98 Live in Midgard is a two-CD set that generously documents Therion's 2001 tours of South America and Europe (and features performances from both small clubs and large halls). The Swedish quartet is augmented on-stage by a six-piece choir and what sounds like a real string section (but is not credited as such in the liner notes). Therion's orchestral metal suites sometimes sound like the offspring of, say, Morbid Angel and the Trans-Siberian Orchestra -- and the results are occasionally incongruous and somewhat jarring -- but the band's marriage of symphonic music and heavy metal is a happy one for the most part. It doesn't hurt that the execution is pretty much spot-on throughout. Includes a cover of Accept's obscure "Seawinds." ~ Andy Hinds, All Music GuidePerformers: Sarah Jezebel Deva - Soprano (Vocal), Vocals; Christofer Johnsson - Guitar, Guitar (Rhythm), Vocals; Sami Karppinen - Drums; Johan Niemann - Bass; Kristian Niemann - Guitar, Guitar (Rhythm)

Live @ the Fillmore $19.98 Lucinda Williams has earned a reputation for her meticulous approach to making albums, but a careful listen to her work suggests that she isn't trying to make her music sound perfect, she just wants it to sound right, and she isn't afraid to spend the extra time waiting for the charmed moment to get caught on tape. This attitude seems to be borne out in her first-ever concert album, Live @ The Fillmore, which manages to sound carefully considered, and a model of "warts and all" authenticity at the same time. Recorded during a three-night stand in San Francisco, the album captures Williams' band in superb form -- Doug Pettibone's guitars, Taras Prodaniuk's bass, and Jim Christie's drums merge into a tight and emphatic groove machine that can match Williams's many moods, whether she's quietly contemplative on "Blue," rocking out hard on "Changed the Locks," or howling the blues on "Essence," while the deeply resonant recording and mix gives them the royal treatment. Williams herself is a slightly more complicated matter here -- her performance is deeply into the spirit, so much so that sometimes her melismatic wanderings and broad phrasing sound like they're verging on caricature. But this is clearly a recording of a performance, and by the time we get to the end of disc two, the broad strokes have coalesced into something quite remarkable; as Williams searches through the nooks and crannies of her songs, you sense she's discovering things that she didn't expect to find, and it's a tremendous thing to hear. Lucinda Williams is an artist who writes from her soul, and she's thoroughly unafraid of letting her passion show when she sings. If that makes for strained technique, it also results in very real art, and this album offers a privileged glimpse of a singular songwriter in full flight. ~ Mark Deming, All Music GuidePerformers: Jim Christie - Drums, Keyboards, Percussion; Doug Pettibone - Guitar, Harmonica, Lap Steel Guitar, Mandolin, Pedal Steel, Vocals (Background); Taras Prodaniuk - Guitar (Bass), Vocals (Background); Lucinda Williams - Guitar (Acoustic), Guitar (Electric), Vocals

A License to Live $10.48 This book is an account of my survival as a homeless person. It details the spiritual activities, my studies of human behavior, and my conclusions about my psychology. It also details my attempts to get various social service agencies to meet my needs. The book details the stresses that a homeless person is compelled to endure while waiting for disability or other help. It also describes the physical problems that result from those stresses, and the lack of personal hygiene that results from the homeless situation. The main point is that God can take care of you, no matter what your situation.

Getting Results $3.48 Getting Results by Michael Le Boeuf Published in 1989 by Berkley

Thinking For Results $26.48 Thinking For Results by Christian D. Larson Published in 2007 by Kessinger Publishing, LLC

Demonstrating Results $59.98 Demonstrating Results : Using Outcome Measurement in Your Library (Pla Results Series) by Rhea Joyce Rubin Published in 2005 by American Library Association

The Live E-Learning Cookbook $17.48 Real-time, instructor-led live e-learning, leverages the Internet to improve training efficiency and effectiveness. The best of in-person instruction is combined with the dynamics of the Internet to help employees apply knowledge and skills required to achieve maximum business results. This Live E-learning Cookbook is ideal for business managers and trainers responsible for creating and delivering new training programs to meet three key business challenges: Time to Market Â- How rapidly can I deploy new products? Time to Productivity Â- How rapidly can I deploy new skills? Time to Knowledge Â- How rapidly can I disseminate information? This book is an easy-to-follow guide to help you create scalable, systematic and sustainable virtual classroom programs using proven techniques summarized for you from the practical experience of four pioneers in e-learning design and delivery for global organizations. Collectively, these live e-learning experts have assisted major organizations such as IBM, GE, Cisco, HP, Lotus, Siemens, Boeing, Sun Microsystems, Unisys, as well as a number of higher education institutions in their successful design and implementation of live e-learning. This book can help you to start achieving the same benefits.

Live Long Life $17.48 This book is all about how to live a long, happy and healthy life. The title of this book itself vividly tells the content and purpose of this book. God has created this body to last for 100 years or so, but owing to lack of knowledge of the internal system of the body, and because of unmindfully led modern life, the span of life is reduced to barely 50 years. Ancient Indian rishis had very deeply studied the body and mind and their relation with each other, and had laid down certain rules and regulations to live a healthy life for about 100 years. This book covers Yogasana, Pranayama, Meditation, Ayurveda, Food and Eating habits, Cure of obesity through herbs and some practical ways in order to live life as evolved and naturally designed for a certain span of living on this earth. The best aspect of this book is that its content is simple and easy to read and implement in daily life. A common man with limited knowledge and a tight schedule can follow the daily routine to obtain the desired results. This book shows the great balance between science and spirituality within this body. It presents in details step by step method of how and what to practice to live a long life full of joy and happiness.

I Want to Live $3.48 Dawn Rochelle has just turned fourteen, and her cancer has been in remission for almost a year. This summer, as she helps prepare for her brother's wedding and goes to camp, her life seems almost normal again.But when Dawn returns home from camp, she's suddenly tired all the time. Her latest test results show that the worst has happened: Her leukemia is no longer in remission. Dawn must receive a bone marrow transplant from her brother. Even with the transplant, she only has a fifty- percent chance of survival. Will Dawn live to celebrate her fifteenth birthday?

Live at Luther College $18.68 After the bootleg industry was revolutionized by CDs in the late '80s, it seemed that every contemporary recording artist had at least one bootleg on the market. It wasn't that studio outtakes were suddenly available -- it was that it was easier than ever to record, press, and distribute live concerts. Rock bands who jammed, whether they were hard rockers like Pearl Jam or noodlers like Phish, were in particular demand since, as the adage goes, no two shows were exactly alike. Given this insatiable appetite for new live records, it's a wonder that more artists didn't make like Dave Matthews and launch a series of official releases of notable live shows. It especially makes sense in Matthews' case, since his band sounds better and is more adventurous in a live setting than it is in the studio, as the first installment, Live at Red Rocks, illustrated. Its follow-up, Live at Luther College, takes a different tactic. Instead of featuring the band, it's Matthews alone acoustically, supported by his friend, session guitarist Tim Reynolds. The double-disc album was culled from the duo's 1996 tour, and not surprisingly, the bulk of the material focuses on Matthews' first two albums for RCA. What is surprising is that the songs arguably sound better in this setting, since all of the group improvisations are stripped away, leaving the songs to speak for themselves. Accordingly, Matthews isn't nearly as eccentric in his vocal tics, letting the music flow simply and engagingly. The results are quite entertaining, and even if the album was intended just for fans, it's the rare specialty item that could win new listeners. ~ Stephen Thomas Erlewine, All Music Guide

Different Stages: Live $24.98 On their fourth live album since their inception in the early '70s, Rush's three-CD Different Stages: Live is similar in approach and feel to their first in-concert release, 1976's All the World's a Stage. Instead of overdubbing and cleaning up the performances as they did on their last two live albums (1981's Exit...Stage Left and 1988's A Show of Hands), the tracks are left raw and rocking. And with very limited use of synthesizers (which plagued A Show of Hands), the results are often extremely impressive. The first two discs are comprised of renditions of hits from Rush's past couple of tours (1994's Counterparts and 1997's Test for Echo), while the third is a long-lost classic show from London's Hammersmith Odeon in 1978. On discs one and two, such Rush standards as "2112," "Tom Sawyer," and "The Spirit of Radio" are joined by recent material ("Dreamline," "Stick It Out," "Roll the Bones," etc.) and obscure tracks ("Natural Science," "Analog Kid," etc.), which makes for a perfect balance of material. But it's the third disc that will have longtime fans frothing at the mouth -- for the first time ever on an official release, live versions of "Cygnus X-1," "A Farewell to Kings," and "Cinderella Man" are presented. Even though no material from the mid- to late '80s is included, Different Stages: Live will delight Rush's adoring throng of fans. ~ Greg Prato, All Music GuidePerformers: Simon Pressey - Sequencing; Geddy Lee - Bass, Vocals; Alex Lifeson - Guitar; Neil Peart - Drums

Physical Results $30.98 Physical Results : The Most Direct Route by Brad L. Nachtigal Published in 2000 by 1st Books Library

Communicating for Results $4.98 Communicating for Results by Rosemary T. Fruehling, and Joan M. Lacombe Published in 1995 by EMC/Paradigm Publishing

Staffing for Results $6.98 Staffing for Results : A Guide to Working Smarter by Diane Mayo, and Jeanne Goodrich Published in 2002 by American Library Association

Net Results $4.48 Net Results : Web Marketing that Works by Cybernautics 1st Published in 1998 by Hayden Books

Just Results $11.48 Just Results : Ethical Foundations for Policy Analysis by Ralph D. Ellis Published in 1998 by Georgetown University Press

Planning for Results $21.48 Planning for Results : A Public Library Transformation Process by Ethel Himmel, and William James Wilson Published in 1998 by American Library Association

Ben Folds Live $7.98 The Ben Folds and a Piano tour of 2002 offered fans just that: the man and his instrument. Culled from those performances, Ben Folds Live documents Folds, his piano, and most importantly, his songs. Most of Ben Folds Live's tracks were first recorded by Ben Folds Five, with live versions of four songs from Folds' solo debut, Rockin' the Suburbs, also included. The classic trappings of live albums are still present. While the new versions of the familiar tunes are at times interesting and the new arrangements often reveal musical (and more often lyrical) nuances that may have gone unnoticed in the more ornately produced studio albums, there are also some gaping holes. Folds has always had a golden touch with harmonies and was blessed with a phenomenal rhythm section to breathe life into his material with Ben Folds Five. However, when the drums don't kick in during the first few bars of "Army," the song falls flat. Luckily, Folds enlists the audiences' help to sing "Army"'s horn parts and "Not the Same"'s background vocals with great results. Ben Folds Live runs into trouble at the other end of the spectrum as well, with some tracks that are so similar to the original versions that they're rendered redundant. Cake's John McCrea deftly reprises his role as harmony vocalist on the exquisite "Fred Jones Part 2," but there is little to differentiate it from the album version. The payoff for Folds' fans comes, not surprisingly, from the previously unheard material. The bluesy "Silver Street" is the highlight of the entire release, while the cover of Elton John's "Tiny Dancer" is more faithful to the original recording than what you'd hear at John's latter-day concerts. Some stage banter is included, but not on the songs that need it the most. Anyone present at the Ben Folds and a Piano shows was treated to the story behind "One Down," written while Folds owed his publishing company 4.6 songs before satisfying his contract. The song's punch line: "One down and 3.6 to go," makes little sense out of context, and unfortunately the album offers no explanation. Ben Folds Live is an excellent supplement to his fans' libraries, and although the songs rarely work well enough to surpass the previous studio incarnations, there are a few revelations that make listening well worth it. Also, there aren't likely to be too many other live solo-piano pop/rock albums released in the near future. That alone warrants a listen or two. ~ Mark Vanderhoff, All Music Guide

Ben Folds Live [Clean] $7.98 The Ben Folds and a Piano tour of 2002 offered fans just that: the man and his instrument. Culled from those performances, Ben Folds Live documents Folds, his piano, and most importantly, his songs. Most of Ben Folds Live's tracks were first recorded by Ben Folds Five, with live versions of four songs from Folds' solo debut, Rockin' the Suburbs, also included. The classic trappings of live albums are still present. While the new versions of the familiar tunes are at times interesting and the new arrangements often reveal musical (and more often lyrical) nuances that may have gone unnoticed in the more ornately produced studio albums, there are also some gaping holes. Folds has always had a golden touch with harmonies and was blessed with a phenomenal rhythm section to breathe life into his material with Ben Folds Five. However, when the drums don't kick in during the first few bars of "Army," the song falls flat. Luckily, Folds enlists the audiences' help to sing "Army"'s horn parts and "Not the Same"'s background vocals with great results. Ben Folds Live runs into trouble at the other end of the spectrum as well, with some tracks that are so similar to the original versions that they're rendered redundant. Cake's John McCrea deftly reprises his role as harmony vocalist on the exquisite "Fred Jones Part 2," but there is little to differentiate it from the album version. The payoff for Folds' fans comes, not surprisingly, from the previously unheard material. The bluesy "Silver Street" is the highlight of the entire release, while the cover of Elton John's "Tiny Dancer" is more faithful to the original recording than what you'd hear at John's latter-day concerts. Some stage banter is included, but not on the songs that need it the most. Anyone present at the Ben Folds and a Piano shows was treated to the story behind "One Down," written while Folds owed his publishing company 4.6 songs before satisfying his contract. The song's punch line: "One down and 3.6 to go," makes little sense out of context, and unfortunately the album offers no explanation. Ben Folds Live is an excellent supplement to his fans' libraries, and although the songs rarely work well enough to surpass the previous studio incarnations, there are a few revelations that make listening well worth it. Also, there aren't likely to be too many other live solo-piano pop/rock albums released in the near future. That alone warrants a listen or two. [This album was also released in a clean version, edited for content.] ~ Mark Vanderhoff, All Music Guide

Re-Boot: Live '98 $15.98 Following the extensive 1993 tour, Front 242 took a temporary break which many assumed to be permanent after nothing was heard from the band for four years, while the individual members pursued other recording projects and work. 1997 brought a return to action in the live arena, and while no new songs were on offer, the bandmembers stated that they wanted to try new techno-inspired arrangements and presentations of many old songs. The results can be heard on Re:Boot, taken from two European dates in 1997 and 1998. Front 242 itself prefers this album to Live Code as a document of its in-concert work, and as fine as Live Code is, it's no surprise why the quartet thinks the way it does -- Re:Boot really is a killer album. Kicking off with a rampaging version of Evil Off's "Happiness (Modern Angel)," Re:Boot serves up both the expected hits -- "Masterhit," "Headhunter," "Welcome to Paradise" -- and a slew of strong album cuts. "Moldavia," with de Meyer and 23, here credited with his real name Richard Jonckheere, borrowing the call-and-response chants from "Neurobashing" is especially great to hear, as is the massively supercharged closer "Punish Your Machine." As in the past, Codenys sat out performing in favor of working the mixing desk, with Tim Kroker adding drums with appropriately mechanistic, punchy percussion. De Meyer and 23 still have the knack for firing up a crowd and delivering their barked lyrics with the appropriate level of command and seething emotion. Where Front 242 change things around with the songs, the results can be fascinating -- "Melt," for example, turns into a slow, moody crawl, mixed up with subtle breakbeats on the chorus. "In Rhythmus Bleiben" also gets an impressive energy charge, while "Religion" turns into an astonishing, Prodigy-tinged rave monster. ~ Ned Raggett, All Music GuidePerformers: Tim Kroker - Drums

Rapid Results! $20.98 Rapid Results! shows how to make large-scale changes succeed  by using 100-day results-producing projects to develop this vital implementation capability. Written by Robert H. Schaffer, Ronald N. Ashkenas, and their associates—leaders in the field of change management—Rapid Results! describes an approach that has been field-tested by real organizations of every size and description to improve performance and speed the pace of change. Rapid results projects produce results quickly, introduce new work patterns, and enable participants to learn a variety of lessons about managing change. Step by step, the book describes how the use of rapid-cycle, or 100-day, projects   will multiply your organization’s power to succeed at large-scale change. Schaffer and Ashkenas specifically outline the concept behind 100-day projects and show you how to Set up the architecture to implement rapid results projects Improve operational performance and also attain hard results in the soft areas of management Build rapid results into major organizational change such as reorganization, acquisition integration, and international development Use rapid results to drive leadership development and culture change

Live: The Beautiful Soul Tour $13.98 Released at the end of 2005, Live: The Beautiful Soul Tour is the second release following in the wake of Jesse McCartney's 2004 debut, Beautiful Soul, arriving just a few months after the DVD Up Close, which contained a mix of music videos and live-in-the-studio performances, but no live concert material. Live draws very heavily from his debut -- ten of Beautiful Soul's 12 songs are here, with the other two songs being versions of "Good Life," which originally appeared on the soundtrack to the Disney Channel movie Stuck in the Suburbs, and "Best Day of My Life," which appeared on the soundtrack to the 2004 Hilary Duff film A Cinderella Story. The results are professional and practiced, and will tide some tweeners over until the next proper album. ~ Stephen Thomas Erlewine, All Music GuidePerformers: Julie Dickens - Vocals (Background); Reeve Carney - Guitar, Guitar (Rhythm), Vocals (Background); Andre De Santanna - Bass; Dory Lobel - Guitar; Karen Teperberg - Drums; Mitchell Yoshida - Keyboards

Live Classics, Vol. 1 $15.98 Based on Live Classics, Vol. 1's artwork alone, the Bobby Conn & the Glass Gypsies live experience looks like a glam rock-fueled blast, with enough shiny outfits, glitter eye shadow, and cool sunglasses for the audience as well as the band. Live Classics, Vol. 1 sounds nearly as good as it looks, though it suggests that Live Classics, Vol. 2 should be a concert DVD to get the full impact of Conn's live show. Though the songs are stripped of their studio gloss, tracks like "Angels" and "Winners" still remain great examples of Conn's fusion of glam, disco, soul, metal, and show tunes, and with arrangements that include organ, electric violin, and bongos, he and the Glass Gypsies don't sacrifice any of the sonic detail of their songs on the road. The band does rock harder in person, though, with the formerly laid-back "Baby Man" and "Cashing Objections" taking on some of the punch of rockers like "Style I Need" (which is as much of a highlight here as it was on Conn's 2004 album Homeland). Recorded in summer 2005, "in front of a studio audience," Live Classics, Vol. 1 takes a fair amount of its tracks from Homeland, including the standout "We Come in Peace," but the band's set list wanders through all of Conn's discography, including Rise Up!'s title track and "White Bread," and the 1997 single "Never Get Ahead," the album's aptly theatrical finale. Some songs, such as "No Revolution," go on for just a bit too long, and the numerous interludes and guitar solos nod to the expansive nature of playing live with mixed results, but "United Nations" takes on a Rocky Horror Picture Show-style grandiosity that only playing it in concert could achieve. Live Classics, Vol. 1 is good enough, and different enough from Conn's studio albums, to make it worthwhile for most of his fans, and the bonus material, which includes bonus tracks and videos for "We Come in Peace" and "Home Sweet Home," make it even more so. ~ Heather Phares, All Music GuidePerformers: Mike Sturgess - Sequencing; Bobby Conn - Guitar (Rhythm), Vocals; Monika BouBou - Organ, Violin, Vocals (Background); Dallas Cooper - Guitar (Bass); Dale Sledd - Guitar; Colby Starck - Drums, Vocals (Background); Pearly Sweets - Keyboards, Vocals (Background)

Selling Results! $22.48 “We don't have the luxury of selling the same way we sold five years ago-or even two years ago-and simply doing more of the same…We must continually evolve and rethink how we sell so that we are not just selling more, but selling better every single year.”-From Chapter 1 In Selling Results! Bill Stinnett, the bestselling author of Think Like Your Customer, takes his innovative sales philosophy to the next level by offering a complete sales system based on the belief that the best way to improve your sales results is to focus on helping your customers achieve their desired business results. Stinnett's revolutionary Results-Based Selling method will help you measure, manage, and maximize your sales results by: Increasing Deal Size - Boost the average size of sales transactions and the duration of sales contracts Accelerating Sales Velocity - Shorten your own business development process as well as your customer's buying process Improving Sales Predictability - Increase your closure rate and the accuracy of sales forecasts Using Stinnett's original opportunity scorecard, customer results map, results-based negotiation process, and other powerful tools, you'll improve your effectiveness in: Creating new sales opportunities Determining which deals to invest your time in Reaching and selling to senior executives Building stronger customer relationships Negotiating for maximum profitability Closing more opportunities, faster! Selling Results! is packed with practical advice for putting Stinnett's cutting-edge ideas to use, and includes a 16-point implementation checklist for making the Results-Based Selling method work for you. These concepts, strategies, techniques, and tools can be implemented as a complete system, or individually integrated with whatever processes and infrastructure you already have in place.

Results That Last $19.48 Praise For Results That Last "Quint Studer is a superb communicator with a deep belief in the power of relationships. His informal tone, sense of humor, and real-world stories bring his business principles to life. Results That Last has a vital, optimistic quality that will keep readers re-reading long after other leadership books have been relegated to a dark corner of the shelf." --Nido Qubein, author of How to Get Anything You Want; President, High Point University; Chairman, Great Harvest Bread Company; and founder, National Speakers Association Foundation "Results That Last is long overdue and fills a big gap in effective business management. There are legions of books that show us the way to achieve successful results in business, but very few that teach us how to institutionalize success. In reality, achieving success is the easy part. The real challenge is to achieve results that last. Quint Studer not only proves it is possible to hardwire a culture for lasting results, but lays out a simple, logical, and effective way to do so. Anyone who wants to make success a habit needs to read this book." --Bob MacDonald, former CEO, Allianz Life of North America and author of Beat the System: 11 Secrets to Building an Entrepreneurial Culture in a Bureaucratic World "I have always been fascinated by how the various parts of an organization work together to achieve strategic objectives. In Results That Last, Quint Studer explores the complex subject of performance improvement in a fresh, readable, and easy-to-grasp way. By standardizing certain business practices and leader behaviors, any company in any field can create an environment that allows it to achieve and sustain long-term results." --David F. Giannetto, coauthor of The Performance Power Grid: The Proven Method to Create and Sustain Superior Organizational Performance

Live in Tokyo '63 $15.98 In 1963, Anita O'Day was still under contract to Verve when she recorded this album for a Japanese television special. Rare in O'Day's catalog (she has very few live records between the '40s and '70s), it's an excellent chance to hear one of the most breath-taking, free-swinging jazz vocalists appearing in a setting even more loose than her great Verve dates. The results, though, aren't quite perfection -- yes, O'Day is in great voice (despite a little grit to her vocals), while the songs and arrangements are great too, but there's no response from the audience available on this recording (even when she's egging them on). Songs cut off and the sound quality isn't up to par for the digital age. A little more attention to detail by the compilers would have made this a great performance, instead of one that's recommended only for those who can't get enough Anita O'Day. ~ John Bush, All Music GuidePerformers: Bob Corwin - Piano; Anita O'Day - Vocals

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